Jews & Crime
& Espionage

United States · Fiction author

Wallace Markfield

United States2 works listed

Wallace Markfield (1926–2002, born in Brooklyn, NY, died in Roslyn, NY) [Known primarily as a comic and satirical novelist. Wrote 6 novels and 40 periodical articles,, including To An Early Grave (1964), Teitelbaum’s Window (1970 and You Could Live If They Let You (1974). In his later career, he shifted into the mystery/thriller genre, intertwining Jewish identity with high-stakes international plots.

Markfield, Wallace, (Radical Surgery [hc, Bantam, 1991]) 978-0553074239 [This was Markfield’s explicit foray into the political thriller genre in the form of a dark, cynical espionage satire. It follows the panic within the highest levels of the U.S. government when a new, reform-minded Soviet leader begins preaching world peace and global brotherhood. Fearing the collapse of America’s permanent war economy, government factions orchestrate “dirty trick” assassinations and bombings to stoke domestic paranoia and dismantle the peace movement. The story features an academic and novelist who finds himself trapped in a KGB blackmail plot. True to Markfield’s voice, the book filters intense Cold War espionage and deep-state conspiracy through a lens of biting, neurosis-driven cynicism.

Markfield, Wallace, (The Trojan Jew [published posthumously in a Kindle edition, 2024]) 978-1962461092

[This is Markfield’s absolute closest alignment with the theme of Jews, espionage, and international crime. He spent over a decade writing it before his death in 2002, but its release was stalled because its prophetic plot involving a foreign attack on New York City felt too raw immediately after 9/11. The book functions as a high-stakes, intercontinental thriller that toggles between two timelines. It tracks the launch of a covert Nazi project in World War II Berlin and follows its explosive, disastrous conclusion half a century later in Manhattan. Markfield wrote the book partly in response to critics who expected him to keep writing standard “Jewish novels”. Instead, he delivered a complex spy thriller that explicitly forced the concepts of Jewish identity, historical trauma, and global espionage to collide head-on. [Google/AI]